Comic tales of a group of good friends, 4 boys and 2 girls, during breaks in primary school, as they grow up, relate to each other, and have brushes with authority.

From Alex Kurtzman, Roberto Orci and Jeff Kline comes an amazing new tale of Optimus Prime and his valiant Autobots in their fight against Megatron and his villainous Decepticons.

Two sci-fi geeks take a pilgrimage to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. When he discovers he's been taken prisoner, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town - a rented RV containing Earthlings Graeme Willy (Simon Pegg) and Clive Gollings (Nick Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes.

Alice Paul (Hilary Swank) and the women of the 1918 Womens Suffrage movement fight for future generations right to vote and run for office. Sacrificing their health, marriages and the limited amount of freedom they had, women were imprisoned and force fed after picketing and hunger-striking against war-time president, Woodrow Wilson; but survived to see the results of their efforts.

Paul Blart is a mild-mannered, dutiful family man who works as a security guard in a New Jersey mall. For years, he has applied to become a cop, but he always fails the physical exam because he is overweight. One day, a gang of organized criminals put the mall under siege and take hostages. Blart becomes trapped inside, and because of his sense of duty, refuses to leave. He thus becomes the police department's eyes on the inside and attempts to stop the criminals on his own.

Following the American invasion of Iraq in 2003 Chief Warrant Officer Roy Miller and his men are charged with finding the so-called weapons of mass destruction, whose existence justified American involvement, according to the Pentagon and their man in Baghdad, Poundstone. Veteran CIA operative Marty tells Miller that there are no weapons, it is a deception to allow the Americans to take over the country and install a puppet leader. Also suspicious of Poundstone is Wall Street Journal reporter Lawrie Dayne, who lets slip to Miller that Poundstone told her he had secret talks in Jordan with an important Iraqi, code-named Magellan, who told him about the weapons, though it now seems likely Magellan's true information was to the contrary. So begins a hunt for the truth. Who's playing whom?

The Green Room with Paul Provenza: No description

Open-minded architect Paul Kersey returns to New York City from vacationing with his wife, feeling on top of the world. At the office, his cynical coworker gives him the welcome-back with a warning on the rising crime rate. But Paul, a bleeding-heart liberal, thinks of crime as being caused by poverty. However his coworker's ranting proves to be more than true when Paul's wife is killed and his daughter is raped in his own apartment. The police have no reliable leads and his overly sensitive son-in-law only exacerbates Paul's feeling of hopelessness. He is now facing the reality that the police can't be everywhere at once. Out of sympathy his boss gives him an assignment in sunny Arizona where Paul gets a taste of the Old West ideals. He returns to New York with a compromised view on muggers...

A comedy centering around a real-life family.

Emily tells her son Paul, now six years old, the story of his life - how she sought motherhood, to be a mom without a husband, to raise a perfect, exceptional child, whom she calls Loverboy. In flashbacks told around a pretend car trip they take - so he can practice driving - we see Paul's infancy, their fun together (sometimes with a manic edge), and his growing desire to go to school and be with other kids. We also flash back to Emily's childhood, with parents so bound up with each other that she's virtually ignored. Is Emily going to be able to let Paul be with others? Or, can she, as in the David Bowie song she sings at a school talent show, construct a life on Mars?